3 Resultados
IMF Mastering
The current situation in the film industry with its tremendous amount of file formats, codecs and containers which exists to handle digital video data, is a real challenge when it comes to exchanging content. This scenario is caused due to the lack of a general standard for the exchange of digital video data, corresponding to the HDCAM-SR standard. Furthermore, there is no proper solution available for an easy distribution and transfer of a multitude of master versions, including different languages, subtitles and video inserts between business partners. To fill this gap the Interoperable Master Format (IMF) was created by the SMPTE (Society of Motion Picture and Television Engineer) members including Rohde & Schwarz and 186 well-known leading U.S. studios, manufacturers and vendors.
Molinare – the leading UK supplier of postproduction solutions - Case study
Molinare, the leading UK supplier of postproduction solutions, wanted a robust, reliable solution to achieve 16-bit EXR playback in realtime at 4K, 24 frames per second, and to master DCPs to deadline, on time, every time. For Molinare there was only one choice – the R&S®CLIPSTER, version 6.
Studio Hamburg is digitizing cultural assets with R&S®CLIPSTER - Case Study
Studio Hamburg Postproduction is using R&S®CLIPSTER to digitize historical film material.